Karim Sulayman, tenor
Timothy Long, piano
Wheelock Whitney, reciter
Tannery Pond



Saturday, July 8, 2023 - 7:30 PM

Featuring one of the leading young tenors in the country, this program explores the love affair between Marcel Proust and composer Reynaldo Hahn. We begin with French songs by their contemporaries and close with readings of Proust interspersed with songs of Hahn.

Songs by Fauré, Chausson, Poulenc, and Hahn

Darrow School
110 Darrow Road
New Lebanon, NY 12125

General Admission seating – doors open 30 minutes before concert.
All kids and college students admitted free at door.

Ticket information and policies

This performance is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Lebanese-American tenor Karim Sulayman has garnered international attention as a sophisticated and versatile artist, consistently praised for his sensitive and intelligent musicianship, riveting stage presence, and beautiful voice. The 2019 Best Classical Solo Vocal GRAMMY® Award winner, he continues to earn acclaim for his programming and recording projects, while regularly performing on the world’s stages in opera, orchestral concerts, recital and chamber music.

In the 2022-23 season Mr. Sulayman takes part in three world premieres: he creates the title characters in Sarah Angliss and Ross Sutherland’s Giant (Aldeburgh Festival), and Wolfgang Mitterer and Sir David Poutney’s Peter Pan: the dark side (Teatro Comunale di Bolzano e Trento/Fondazione Haydn), and performs the protagonist in Matthew Ricketts and Mark Campbell’s theatrical song cycle Unruly Sun (Orchestre Classique de Montréal/21C Festival Toronto). He also debuts at Wigmore Hall in two programs of French chamber music, plays Artaserse in Riccardo Broschi’s Idaspe in a new production in Pittsburgh and returns to Stanford Live Arts Bing Concert Hall in chamber music of Barber, Hakim and Birtwistle.

Recently Mr. Sulayman made his solo recital debut at Carnegie Hall to a sold out audience, followed by the world premiere of his critically acclaimed original production, Unholy Wars, an Italian Baroque pasticcio centered around the Middle East and the Crusades, at Spoleto Festival USA. He then returned to the Aldeburgh Festival for several different programs, including his new program, Broken Branches, with guitarist Sean Shibe. Other recent season highlights include engagements at Hamburg’s Elbphilharmonie, Lincoln Center, Kennedy Center, and Ravinia Festival, as well as with Chicago, Pittsburgh and National Symphony Orchestras, and the Australian Brandenburg Orchestra, and leading roles with Drottningholms Slottsteater, Houston Grand Opera, Florentine Opera, New York City Opera, and Boston Lyric Opera. In future seasons he returns to Wigmore Hall and the Ravinia Festival, debuts at Opera Philadelphia, Schleswig-Holstein Festival and Boston Celebrity Series, and will premiere David T. Little’s What Belongs to You, a monodrama written for Sulayman and Alarm Will Sound based on Garth Greenwell’s acclaimed novel, directed by Mark Morris.

A dedicated chamber musician, Sulayman was a frequent participant at the Marlboro Music Festival in collaboration with co-directors and pianists Mitsuko Uchida and Richard Goode.. He has since been presented by many of the world’s leading chamber music festivals, collaborating frequently with groups like Eighth Blackbird and as a core member of the Kaleidoscope Chamber Collective. His concerts and recordings have been broadcast nationally and internationally on NPR, American Public Media, BBC Radio 3 and WDR 3.

Sulayman's thought provoking and innovative programming is highlighted in his growing discography which includes his debut solo album, Songs of Orpheus, which was released to international acclaim on the AVIE label. Named “Critic’s Choice” by Opera News, and praised for his “lucid, velvety tenor and pop-star charisma” by BBC Music Magazine, Karim won the 2019 GRAMMY® Award for Best Classical Solo Vocal Album. His second solo album, Where Only Stars Can Hear Us, an album of Schubert Lieder with fortepianist Yi-heng Yang was released on AVIE in March 2020 and debuted at #1 on the Billboard Traditional Classical Chart and has received widespread critical acclaim, including being named once again as “Critic’s Choice” by Opera News, and included on the New York Times’ “Best Classical Music of 2020.” His third solo album, Broken Branches, will be released by Pentatone in May, 2023.

In November 2016, Karim created a social experiment/performance art piece called I Trust You, designed to build bridges in a divided political climate. A video version of this experiment went “viral” on the internet, and was honored as a prize winner in the My Hero Film Festival. He has been invited to give talks and hold open forums with student and adult groups about inclusion, empathy, healing from racism, and activism through the arts.

In other visual media, he is featured in the ARTE documentary Leonard Bernstein – A Genius Divided, which premiered throughout Europe in the summer of 2018 and was subsequently released on DVD. His performance of Bernstein’s Masswith the CSO was broadcast on PBS Great Performances in the spring of 2020 and in the fall of 2020 Karim appeared on the second season of the acclaimed series Dickinson on Apple TV+.

A native of Chicago, Karim’s musical education began with violin studies at age 3 which he continued through high school.  He also spent years as a boy alto the Chicago Children’s Choir and was hand selected by Sir Georg Solti and Leonard Slatkin as a soloist with the Chicago Symphony Orchestra and the St. Louis Symphony.  He graduated with highest honors from the Eastman School of Music where he worked in the Collegium Musicum under the tutelage of Paul O’Dette, and earned a Masters degree from Rice University.  He later moved to Paris, France where he studied with renowned tenor/haute-contre, Howard Crook.  He also studied improvisation at the Second City Training Center in Chicago.

Karim is passionate about his place in the Arts industry as someone who challenges audiences to think outside the box in a quest to maintain classical music’s relevance in a modern world, smashing the practice of treating old works as museum pieces. He enjoys educating the next generation of music students, encouraging them to think in this way while helping them cultivate their own unique voices. He hopes to make positive changes through thoughtful performance, arts advocacy and social justice that will impact generations to come.

Timothy Long is a pianist and conductor of Muscogee, Thlopthlocco, and Choctaw descent who is Music Director of Opera at the Eastman School of Music. 

After working on Thomas Adès’s operatic tour-de-force Powder Her Face at the Aspen Music Festival, Tim was appointed by Robert Spano to be his assistant conductor for three years at the Brooklyn Philharmonic, and he was subsequently named an associate conductor at the New York City Opera for two seasons.

His early training as a pianist and violinist led to work with singers, and eventually to conducting engagements that have included companies such as Boston Lyric Opera, Wolf Trap Opera, Opera Colorado, Utah Opera, Tulsa Opera, Opera Theatre of Saint Louis, Pacific Opera Victoria, City Opera Vancouver, The Juilliard School, Yale Opera, the Brooklyn Philharmonic, the Oklahoma City Philharmonic, the Oklahoma Summer Arts Institute Orchestra, the Stony Brook Symphony Orchestra, the Eastman Philharmonia, the Oregon Bach Festival Orchestra, the Trondheim Sinfonietta, and off-broadway with The New Group.

At City Opera Vancouver, Tim conducted the 2017 World Premiere of Missing, a groundbreaking new work by Marie Clements and Brian Current about the 4,000 missing Indigenous women in Canada. In 2019, he conducted a Canadian tour of Missing with Pacific Opera Victoria, the Regina Symphony Orchestra, and the Prince George Symphony Orchestra. This extraordinary composition is the first opera to be sung in both the Gitxsan and English languages. These shows reached out with private performances for the Indigenous victims’ families, and offered traditional sacred healing to all audience members.

In the last season, he led Kate Soper’s Here Be Sirens Suite, Proving Up by Missy Mazzoli and Karen Russell, and Sondheim’s Into the Woods for Eastman Opera Theatre, and Le nozze di Figaro for Prague Summer Nights. In the 2022-2023 season he will conduct both Lear on the Second Floor by Anthony Davis and Allan Havis, and Handel’s Alcina for Eastman Opera Theatre, the World Premiere of Bright is the Sunlight by Anthony Davis and Joy Harjo with the Eastman Philharmonia, the American Premiere of Missing at Anchorage Opera, and he will be guest harpsichordist and conductor with the Chamber Orchestra of Philadelphia for a program entitled Bach’s Legacy.

Tim has performed as a pianist and harpsichordist at venues such as Carnegie Hall, Lincoln Center, Merkin Hall, the Kennedy Center, National Sawdust, Jordan Hall, Wigmore Hall in London, the Alte Oper in Frankfurt, Herkules Hall in Munich, Dvořák Hall in Prague, La Halle aux Grains in Toulouse, the Mostly Modern Festival, the Moab Music Festival, the Oregon Bach Festival, the Aspen Music Festival, the Caramoor Festival, and the Dame Myra Hess Series in Chicago, among many others. As a concerto soloist he has performed with the Oklahoma Symphony Orchestra, the Lawton Philharmonic, the Oklahoma Summer Arts Institute Orchestra, the Eastman School Symphony Orchestra, the Eastman Philharmonia, the Beethoven Society Orchestra of Washington DC, and the Sociedad Filarmonica de Conciertos of Mexico City.

In 2017, Naxos released Tim’s recording of the Dominick Argento song cycles, The Andrée Expedition and From the Diary of Virginia Woolf, with the internationally renowned baritone Brian Mulligan. Their partnership has been highly lauded, with the Washington Post stating about their 2018 Kennedy Center recital, “Long’s collaboration at the piano was so sympathetically symbiotic that it seemed, both in Walden and in Dominick Argento’s From the Diary of Virginia Woolf in the program’s second half, that a single musical intelligence was at work.” Previous recordings include The Music Teacher (Bridge Records), an opera within a play starring Wallace Shawn, Parker Posey, and Elizabeth Berkley, and the Opera America Songbook (Opera America). He appeared on the 2021 recording of Beauty Intolerable: Songs of Sheila Silver (Albany Records), and Alburnum (Bright Shiny Things), a recording of the music of Mason Bates, Gregory Spears, and Missy Mazzoli, with Brian Mulligan, will be released in 2022.

Tim has been on grant panels for the National Endowment for the Arts, Opera America, American Lyric Theater, and the Urban Artist Initiative/NYC. He has taught at The Juilliard School, the Yale School of Music, SUNY-Stony Brook, and is currently an Associate Professor at the Eastman School of Music.

At the Moab Music Festival, Tim recently made his debut as a composer with piano pieces reflecting his Muscogee heritage. He is on the Advisory Board of the American Indians Musicians’ Scholarship (Arizona), the Creative Stage Collective (NYC), and New Music Concerts (Toronto), and is on the Board of Directors of The Plimpton Foundation, whose mission is to bring scholarships and commissions to Native American musicians. He lives in Rochester, NY with his husband, baritone Christopher Dylan Herbert, and their sweet basset hound mix, Pumpkin.