Sunday, January 7, 2024 - 3:00 PM
Making her highly-anticipated debut, Bullock’s enchanting voice has catapulted her to the forefront of the classical music world, resulting in engagements with the NY and LA Philharmonics and residencies at the Met Museum and San Francisco Symphony.
Songs by Strauss, Barber, Weill, Rodgers and Hammerstein, and more
Sponsored by Margery G. & Michael Whiteman
RUNTIME: 2 HOURS
General Admission seating – doors open 45 minutes before concert.
All kids and college students admitted free at door.
Ticket information and policies
An American classical singer who “communicates intense, authentic feeling, as if she were singing right from her soul” (Opera News), Julia Bullock is “an essential soprano for our times” (Los Angeles Times). Combining versatile artistry with a probing intellect and commanding stage presence, she has headlined productions and concerts at preeminent arts institutions around the world. Also in demand as an innovative curator, her past positions include collaborative partner of Esa-Pekka Salonen, 2020–22 Artist-in-Residence of London’s Guildhall School, 2019-20 Artist-in-Residence at the San Francisco Symphony, and 2018-19 Artist-in-Residence at New York’s Metropolitan Museum of Art. A prominent voice of social consciousness and activism, Bullock is “young, highly successful, [and] politically engaged,” with the “ability to inject each note she sings with a sense of grace and urgency, lending her performances the feel of being both of the moment and incredibly timeless” (Vanity Fair).
In the 23-24 Season, Bullock looks forward to a number of operatic “firsts.” John Adams’s and Peter Sellars’s oratorio El Niño is the vehicle for her Metropolitan Opera debut, in a new production led by Marin Alsop. Marking Bullock’s debut at Barcelona’s Gran Teatre del Liceu, she stars opposite Gerald Finley in the European premiere of Adams’s opera Antony & Cleopatra, before headlining Dutch National Opera’s world premiere production of The Shell Trial, the climate-themed opera she created in collaboration with Pulitzer Prize-winning composer Ellen Reid, librettist Roxie Perkins, and musical director Manoj Kamps. Bullock will present her project Nativity Reconsidered: El Niño – a distilled rendering of the original El Niño – alongside conductor Christian Reif (who also created the new musical arrangement) at the Cincinnati Symphony and on a US tour with the American Modern Opera Company (AMOC), of which Bullock is a founding core member. Over the coming season, she also undertakes a residency as 2023–24 Featured Artist of London’s Philharmonia Orchestra and gives recitals in Philadelphia, Baltimore, Providence, and at the Park Avenue Armory in New York.
Bullock has made many key operatic house debuts: at London’s Royal Opera House in Handel’s Theodora; at San Francisco Opera, where she created the leading role of Dame Shirley in the world premiere of John Adams’s Girls of the Golden West; at Dutch National Opera, in the European premiere of the same work; at Santa Fe Opera as Kitty Oppenheimer in Adams’s Doctor Atomic; at Festival d’Aix-en-Provence as Anne Trulove in Stravinsky’s The Rake’s Progress; and at the English National Opera, Spain’s Teatro Real, and Russia’s Perm Opera House and Bolshoi Theatre in the title role of Purcell’s The Indian Queen. She premiered Michel van der Aa’s Upload at Dutch National Opera, before reprising it at Bregenzer Festspiele and New York’s Park Avenue Armory and took part in Opera Theatre of Saint Louis’s world premiere of Terence Blanchard’s Fire Shut Up in My Bones. Her wide-ranging repertoire also encompasses the title roles of Massenet’s Cendrillon, Ravel’s L’enfant et les sortilèges, and Janáček’s The Cunning Little Vixen; Susanna in Mozart’s Le nozze di Figaro; and Pamina in The Magic Flute, which she sang at the 2023 Edinburgh Festival with conductor Maxim Emelyanychev, on tour in South America (in a staged production directed by Peter Brook), and in concert with Gustavo Dudamel and the Los Angeles Philharmonic.
Bullock is similarly distinguished in the concert hall. In summer 2023, she performed Jessie Montgomery’s Five Freedom Songs with the Boston Symphony Orchestra at Tanglewood, after helping develop the work, premiering it at Idaho’s Sun Valley Music Festival, and touring it to theVirginia Arts Festival, Kansas City Symphony and, with conductor Donald Runnicles, the Grand Teton Music Festival. She made important German orchestra debuts in 2023 with the Bavarian Radio Symphony Orchestra & Chorus and NDR Elbphilharmonie Orchestra, led by Manfred Honeck and Alan Gilbert respectively. With the LA Philharmonic and Dudamel, Bullock gave 2019-20 season-opening performances of Barber’s Knoxville: Summer of 1915, which she reprised for her Saint Paul Chamber Orchestra debut and with the Deutsches Symphonie-Orchester Berlin. As part of her 2019-20 residency with the San Francisco Symphony, she joined the orchestra and Esa-Pekka Salonen for Ravel’s Trois poèmes de Stéphane Mallarmé and Britten’s Les Illuminations, which was also the vehicle for her debuts with the Milwaukee Symphony, Indianapolis Symphony, and Philharmonia Orchestra. With Andris Nelsons, she headlined the Bernstein centennial gala that launched the Boston Symphony’s 2017-18 season, and she performed Bernstein’s music for debuts with the San Francisco Symphony, conducted by Michael Tilson Thomas; at the Hollywood Bowl, with Dudamel and the LA Philharmonic; with Japan’s NHK Symphony and Paavo Järvi; and with the New York Philharmonic, in open-air concerts led by Gilbert in Vail, Santa Barbara and multiple New York City parks. At the invitation of Sir Simon Rattle, she made debuts with both the Berlin Philharmonic’s Karajan Academy, in Kaija Saariaho’s La Passion de Simone; and the London Symphony Orchestra, in Maurice Délage’s song cycle Quatre poèmes hindous. Other concert highlights include performances of Adams’s El Niño with the LA Philharmonic led by the composer himself.
In 2014, Bullock gave her first US recital tour, capped by her debut at the Kennedy Center in Washington, DC. Since then, she has maintained a thriving solo career. After premiering AMOC’s staged production of Messiaen’s song cycle Harawi at Festival d’Aix-en-Provence, she toured it to Belgium and Germany. In 2019, she joined pianist Cédric Tiberghien for the American, British, Belgian, and Russian premieres of Zauberland (“Magic Land”), a new work directed by Katie Mitchell, which juxtaposes Schumann’s Dichterliebe with original songs by Bernard Foccroulle and Martin Crimp about displacement and grief in the landscape of the Syrian refugee crisis. This followed Bullock’s high-profile 2018 North American recital tour, which featured workshops and local school performances in each city, with dates at New York’s Carnegie Hall, the Philadelphia Chamber Music Society, Cal Performances at UC Berkeley, and Boston’s Celebrity Series. Other solo performance highlights include her 2021 Wigmore Hall recital and 2017 Disney Hall debuts and appearances at the 2016 Mostly Mozart and Ojai Music festivals, where she collaborated with Roomful of Teeth and the International Contemporary Ensemble (ICE) on Peter Sellars’s new staging of La Passion de Simone and on the world premiere of Josephine Baker: A Portrait.
Josephine Baker: A Portrait was the original prototype for Perle Noire: Meditations for Joséphine. Exploring racism, misogyny, and performance as a means to self-empowerment, through the lens of Baker’s life, Perle Noire was conceived by Bullock in collaboration with MacArthur “Genius” Fellows Peter Sellars, Tyshawn Sorey, and Claudia Rankine. Bullock took this work to Dutch National Opera, Harvard’s OBERON, and New York’s Metropolitan Museum of Art, where it was one of the five thought-provoking programs she curated as its Artist-in-Residence. Besides Perle Noire, which marked the first full-length performance on the museum’s grand staircase, Bullock’s curation at the museum included a performance of Langston Hughes poetry and music settings, featuring various singing and instrumental artists including clarinetist Anthony McGill and the Young People’s Chorus of NYC; a new chamber arrangement of El Niño (now titled Nativity Reconsidered) at the Cloisters; AMOC’s account of Hans Werner Henze’s El Cimarrón (“The Runaway Slave”); and History’s Persistent Voice, a program combining the songs of enslaved people in the United States with new music by Black American women, including the world premieres of Met commissions from Courtney Bryan, Tania León, Allison Loggins-Hull, and Jessie Montgomery. The expansion of History’s Persistent Voice, an ongoing project that commissions b/Black women composers, and features the work of b/Black visual artists and poets, premiered at the San Francisco Symphony in 2022, impressing the San Francisco Chronicle with its “musical beauty and moral force.” Plans for future performances are underway in both the US and Europe.
Bullock’s growing discography comprises a variety of celebrated recordings. In November 2022, she made her solo album debut on the Nonesuch label with Walking in the Dark. Combining Knoxville: Summer of 1915 with an aria from El Niño and songs by Oscar Brown Jr., Connie Converse, Sandy Denny, Billy Taylor, and a traditional spiritual setting by Hall Johnson, the record was recognized with an Opus Klassik award, featured in the New York Times’s “Best Classical Music Tracks of 2022,” and named among the 20 “Best Albums of 2022” by NPR, which called it “an album that shines, introducing us to an artist curating a career on her own distinctive terms.” Bullock also appears on the soundtrack of Amazon Prime Video’s 2021 The Underground Railroad, composed by Nicholas Britell. Her account of Quatre poèmes hindous with Rattle and the London Symphony Orchestra was captured live on DVD, as was her title role appearance in Sellars’s production of The Indian Queen for Sony Classical. Selected as one of the New York Times’s “25 Best Musical Tracks of 2018,” her starring role in Adams’s Doctor Atomic, recorded with the composer conducting the BBC Symphony Orchestra, was a nominee for the 2018 Grammy Award for Best Opera Recording. This marked Bullock’s second appearance on a Grammy-nominated recording, following her live account of West Side Story with Tilson Thomas and the San Francisco Symphony, a Grammy nominee for Best Musical Theater Album in 2014.
Her other honors include the 2022 Dallas Symphony Orchestra Award of Excellence, 2016 Sphinx Medal of Excellence, a 2015 Leonore Annenberg Arts Fellowship, the 2015 Richard F. Gold Grant from the Shoshana Foundation, Lincoln Center’s 2015 Martin E. Segal Award, First Prize at the 2014 Naumburg International Vocal Competition, and First Prize at the 2012 Young Concert Artists International Auditions. She was chosen as one of Musical America’s 2021 Artists of the Year, WQXR’s “19 for 19” artists to watch in 2019 and Opera News’s “18 to Watch in 2018-19”; the New York Times honored her on its “Best Classical Music” list in 2020, 2018, and 2016; and in 2018 she appeared on comparable lists in the Los Angeles Times, Washington Post, and Philadelphia Inquirer.
Bullock is in high demand as a speaker in panels on equity, inclusion, and restorative justice in the arts. She has taken part in livestreamed conversations presented by Long Beach Opera, Los Angeles Opera, Music Academy of the West (now Music Academy), Sphinx Organization, and others. As well as trying to engage with local communities in each city she visits, she serves on the Advisory Board of Turn The Spotlight, a foundation designed to empower people who have been historically marginalized by institutions, both on stage and behind the scenes, to make a more equitable future in the arts.
Julia Bullock was born in St. Louis, Missouri, where she joined the artists-in-training program at Opera Theatre of Saint Louis while in high school. She went on to earn her bachelor’s degree at the Eastman School of Music, her master’s degree in Bard College’s Graduate Vocal Arts Program, and her Artist Diploma at New York’s Juilliard School. It was there that she first met her husband, conductor Christian Reif, with whom she now lives in Munich. The couple welcomed their first child in fall 2022.
Japanese-American pianist Bretton Brown enjoys a diverse career as song accompanist, chamber musician, and coach. He lives in London and made his European debut accompanying Renée Fleming at Wigmore Hall. His recital appearances have also included the Concertgebouw, the Festival d’Aix-en-Provence, and the Edinburgh International Festival. In 2023-24, he makes his Carnegie Hall debut alongside his frequent recital partner, Julia Bullock. Other highlights of the season include a UK recital tour with soprano Hera Hyesang Park and a second consecutive summer at the Festival d’Aix-en-Provence, working as repetiteur/coach for the world premiere of Picture a day like this, the newest opera by Sir George Benjamin and Martin Crimp.
Brown has now worked closely with George Benjamin for over a decade. In addition to the world premiere of Picture a day like this, he has assisted the composer as repetiteur/coach for the world premiere of Lessons in Love and Violence (Royal Opera House, Covent Garden); the American and Canadian premieres of Written on Skin; and concert performances of The Dream of the Song with the Philharmonia Orchestra. He has performed as a member of the Mahler Chamber Orchestra under the composer’s baton in concerts at the BBC Proms, the Berliner Philharmonie, and the Hamburg Elbphilharmonie. This season, he also performs Ligeti’s Chamber Concerto with members of the MCO at the Festival d’Aix-en-Provence, and he returns to the Royal Opera House to prepare the London premiere of Picture a day like this. Future plans include further productions of that opera as well as Written on Skin.
Brown champions the music of our time, and in 2024 he joins the Dutch National Opera for his second world premiere with the company--The Shell Trial by Pulitzer Prize-winning composer Ellen Reid. He previously served as repetiteur/coach for the world premiere of Caruso a Cuba at DNO, as well as the European premiere of Lessons in Love and Violence. He has also prepared the world premiere of Zauberland, written for Julia Bullock, at le Théâtre des Bouffes du Nord in Paris, and he assisted Renée Fleming in the preparation of André Previn’s final work, Penelope, written for her and first performed at Tanglewood, where Brown was twice a fellow, receiving the Henri Kohn Memorial Award from the Festival in 2013.
As a coach, Brown has prepared singers for principal roles at the Metropolitan Opera, the Royal Opera House, the Wiener Staatsoper, the Salzburg Festival, the Glyndebourne Festival, and San Francisco Opera, and for concert performances at the Venice Biennale, Carnegie Hall, and the Proms. Also committed to the development of younger artists, Brown is on faculty at the Guildhall School of Music & Drama in London where he teaches pianists, coaches singers, and has curated several innovative song projects. He was professor of collaborative piano at Oberlin Conservatory of Music and has held multiple residencies at the Conservatorium van Amsterdam. His students have won the Gerald Moore Award and the Pianist’s Prize at the Maureen Lehane Vocal Awards and have earned places on young-artist programs at international opera houses, including the Bayerische Staatsoper.
Raised in Kentucky, Brown was educated at Yale, the New England Conservatory, and Juilliard. He won prizes for music and poetry at Yale and was awarded Juilliard's Richard F. French Doctoral Prize for his dissertation on the life and music of Gustav Holst. He is a finisher of the New York City Marathon.